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Exciting Design Exhibit at MoMA

Design and the Elastic Mind, currently at MoMA, exposes to the general public the brilliant projects of designers around the world.  You will leave awed and thrilled about the future, rather than full of any sort of sci-fi dread.  To anyone who has ever said something along the lines of “it is a plant that has been genetically somethinged” (an endearing and all-too familiar line from a child’s drawing included in the exhibit), I highly recommend the show. 

Highlights include:

A honeycomb vase—a creative collaboration between designer Tomas Gabzdil Libertiny and a swarm of bees.  (Interestingly, another project in the show has bees detecting cancer in the breath of a human).

3-D Printing—Front Design of Sweden exhibits a way to materialize free-hand sketches: “strokes made in the air are recorded with motion capture video technology and then digitized into a 3-D computer model.  Digital files are sent to a rapid manufacturing machine that uses computer-controlled lasers to fabricate the objects in plastic.”  The process is infinitely faster than the amount of time it takes to read how it’s done.  What it looks like: writing solid sculpture into the air.

Technology that aids in tracking down the perfect mate (and refusing to let him go)Sniffing Others aims to utilize the full potential of human olfactory glands, and further into the exhibit a visitor can interact with a touch screen that displays paths in cyberspace from one lonely person to another.  On a creepier note, Body Modification for Love Project imagines a man getting the nipple of his lover implanted on his stomach.  And Afterlife Microbial Fuel Cell is a device charged by the decomposed gastric acids of a dead loved one—the battery can power several electric appliances such as a flashlight, or “even a vibrator.” 

L.A.S.E.R. Tag, designed by Graffiti Research Lab, democratizes public communication by enabling anyone to “write with a green laser on distant and hard-to-reach surfaces.”  Similarly, the SMS Guerilla Projector allows for huge projections of private text messages in urban spaces.

No more whining about technology alienating individuals—this show is proof that the best designs will only amplify connections among people, animals, and nature.  For more info: http://moma.org/exhibitions/exhibitions.php?id=5632

Why Gumshoe?

An article in today's NY Times makes the perfect case for Gumshoe's services. Check out Joyce Wadler's article, The Terrible Toll of Art Anxiety.

Also, don't miss the Julie Scelfo's article, Easing the Pain of Collecting. We are major fans - Liz is addicted - of Jen Bekman's 20x200 and CerealArt. However, this article should have mentioned Mixed Greens, a super friendly Chelsea gallery that has a great website and always has a price list.

Is the LES the new Chelsea?

Gumshoe’s headquarters are located on the Bowery near Spring Street and it's been hard not to notice all the changes in the hood as of late. Galleries - both small and major - are popping up all over. It's a mini Bilbao effect all thanks to the New Museum's new museum (love writing that), which is set to open on December 1st.

Here an updated LES Art Map thanks to NY Magazine. They overlooked 31 Grand – a Gumshoe favorite – which recently relocated from Bburg to 143 Ludlow.

Porfolio art blogger Callen Bair recently posted: Tracking LES Gallery Migration.

Mike Nelson’s “Psychic Vacuum”

Check out Mike Nelson's installation commissioned by Creative Time at the Essex Street Market on the Lower East Side. It'll run from Sept. 8 to Oct. 28, Fridays through Sundays, noon to 6 p.m. Learn more fromNY Times write up: Belonging and Belief, Found in Scrap Lumber

Will the bubble burst?

The NY Times chimes in: Volatile Markets? Art World Takes Stoc

Interesting Article

Gawker has an interesting article, When The Art Bubble Bursts Into A Splash, on the contemporary art world / scene.

Back to Blogging

We know it's been beyond forever since we posted. We even went to Venice, Basel & Kassel and still did not write. We have no excuse. What can we say, but sorry and we'll try and do better.

Franklin Institute King Tut show

By Erin Dodd

I went to see King Tut in Philadelphia last weekend. The traveling show is making its last U.S. stop at the Franklin Institute. Admission was $32.50 + Ticketmaster fees. And it wasn’t that good. There were some interesting artifacts, but nearby permanent collections (the Brooklyn Museum, the Metropolitan Museum, and the University of Pennsylvania’s Archaeological Museum to name a few) have much more impressive artifacts. This show was a lot of lights and drapery and hype.

The show takes you through the contents of a generic Egyptian tomb and shows some artifacts from King Tut’s tomb. These are different artifacts from the ones that traveled in the 1979 show.

In so far as a blockbuster is an event that gets people to go out, it is successful, but in so far as showing us something new, I’m not so impressed. And $32.50!

Sol Lewitt Dies at 78

We are quite sad to learn that Sol Lewitt died Sunday from complications with cancer. Lewitt was a true master whose minimalist geometric works are sure to remain relevant and admired for many years to come. Read his NY Times obit.

Thomas Struth

No Sunday morning is complete without a glance at the NY Times Weddings & Celebrations page. Yesterday we were amused to see an annoucement of the marriage of Thomas Struth to a woman he met at one of his openings.